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December 2007 COMPUTER ARTS PROJECTS #104 Street Art Graffiti in the Digital Age |  |
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US $5.84 | 28d 21h 49m |
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Computer Arts Projects LOT 104 106 107 109 135 Graffiti Packaging Design Fashion | |
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US $90.00 | 3d 14h 54m |
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Graffiti Art Projects
What colours look best on graffiti art?
Im doing an art project and was wondering wat colours look good on graffiti art, also should I use felt tip pens or coloured pencils to colour in my work, which would look better and which would give more effect?
Thank you to everyone who answers!
xx
i experiment on graffiti generators online and i find that purples n greens work best on dark contrasted backgrounds.
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December 2007 COMPUTER ARTS PROJECTS #104 Street Art Graffiti in the Digital Age | |
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US $5.84 | 28d 21h 49m |
|
Computer Arts Projects LOT 104 106 107 109 135 Graffiti Packaging Design Fashion | |
|
US $90.00 | 3d 14h 54m |
| Powered by phpBay Pro |
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On the Wall: Four Decades of Community Murals in New York City
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DescriptionEnergizing the visual landscape since 1968, New York City's community murals beautify, educate, protest, celebrate, and often motivate residents to action. Collaborations between artists and neighborhood groups, these painted walls reflect the social, cultural, and political climate of their times... |
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Bridge, Track, Takin' It Back (Home Use)
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DescriptionA visual and musical urban collage that pays tribute to New York, the birthplace of Hip Hop music and culture. "Bridge, Track, Takin' It Back" is a journey through seasons and boroughs of New York. Using the subway as a constant backdrop like early graffiti artists did, the film transports the viewer into a realm of New York that they have never seen or maybe not looked at closely... |
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Bridge, Track, Takin' It Back (Institutional Use)
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DescriptionA visual and musical urban collage that pays tribute to New York, the birthplace of Hip Hop music and culture. "Bridge, Track, Takin' It Back" is a journey through seasons and boroughs of New York. Using the subway as a constant backdrop like early graffiti artists did, the film transports the viewer into a realm of New York that they have never seen or maybe not looked at closely... |
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The Guerilla Art Kit
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DescriptionWe are living in a golden age of self-expression. The explosion of user-created content on blogs and social networking sites moved Time magazine to name "You" their 2006 person of the year. But while we may be spending a lot more time in virtual worlds, we have not lost the urge to make our physical world more meaningful... |
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Art and Design in Photoshop: How to simulate just about anything from great works of art to urban graffiti
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DescriptionFancy designing your own classic and contemporary movie posters, books and magazine covers?Feel like turning your photographs into works by Turner, Matisse and Magritte?Want to create illustrations in the styles of The Simpsons, steampunk and Victorian engravings?Then you need Art and Design in Photoshop... |
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Philadelphia Murals and the Stories They Tell
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DescriptionIn June 1984, Jane Golden, a young muralist from Margate, New Jersey, headed up a project that was originally planned as a six-week youth program in the fledgling Philadelphia Anti-Graffiti Network. This small exercise in fighting graffiti grew into the most vibrant public art project in the United States... |
Union Lane Graffiti Project Part 1
Why is branding is more important than ever for non-profit organisations?
At the recent International Fundraising Congress in the Netherlands, Ingrid Srinath, secretary general of civil society network Civicus, warned that the fundraising climate would be hard-hitting in 2010, and even more so in 2011. Given the number of organisations and worthy causes already battling for contributions and funding, along with the challenges already presented by the recession, this is bad news for the non-profit sector.
Non-profit organisations need to be proactive in adapting to survive and thrive in these harsh times. If they don’t they will be left behind by more switched-on competitors, and securing funding will soon become practically impossible. So, how can organisations stand out in a saturated marketplace? What makes individuals, and other organisations, decide to donate to or fund a certain cause? A strong brand has the answer. Think about some of the top UK charities for example: Cancer Research, Oxfam, British Heart Foundation, Barnardos. These are all principal names with big notable brands that are easily recognised, and that are designed to clearly communicate the culture of each organisation in order to engage their audience. All of these brands boast amazing positive brand equity. Brand equity is measured against factors such as brand loyalty, awareness, association, and perception of quality.
Today donors expect more. They want to interact with a brand and to feel that they belong to a ‘brand community’. Successful brands today are not merely lifeless ‘things’ but are thriving entities. They have identities and personalities that allow customers to express themselves through their engagement with that brand. In order to attract customers and encourage them to actively engage, brands must have and visibly communicate a strong story and/ or set of values which customers can easily identify and relate to.
The value of a superior brand to businesses should not be underestimated. Speaking also at the International Fundraising Congress recently Paul Farthing, high-value relationships director at Cancer Research UK, stated that research showed 83 per cent of consumers in the UK would prefer to purchase products that were associated with a charitable cause. "Companies spend millions persuading the public to switch brands, so charities need to be telling them that they are a way of achieving that," he said. Needless to say there are huge partnership opportunities for strong non-profit brands.
Creating the right brand for an organisation is certainly no easy task and is usually achieved as the result of a scrupulous and invasive audit process. This process is made easier, however, if an organisation chooses to work with a branding specialist with experience in the non-profit sector. New Revolution is a young, dynamic creative studio with a passion for working with non-profit organisations. Over the past 5-years New Revolution has worked with organisations such as LifeLine and Taitt Dance Academy in Essex, and on projects like the Urban Arts initiative – an education programme designed to get young people back into education through offering a range of non-traditional courses, including street dance and graffiti art.
New Revolution has accumulated a wealth of experience over the years, combining graphic design and motion graphics to create striking and original solutions for various non-profit clients. Owner James Ratnarajah believes that New Revolution can help third sector organisations to find their voice in these taxing times; “We’re really passionate about this sector and we fully recognise that it’s not enough for a brand and marketing materials to just look ‘nice’ anymore. We also understand the non-profit marketplace well. We can help our clients stand out and make the very best of the restricted opportunities that are out there.”
Visit www.newrevolution.co.uk
About the Author
New Revolution is an Essex-based creative studio specialising in graphic design and motion graphics. Over the last 5-years of trading New Revolution has become something of a specialist in creating innovative design solutions for non-profit clients. It has worked with organisations such as LifeLine and Taitt Dance Academy in Essex, and on projects like the Urban Arts initiative – an education programme designed to get young people back into education through offering a range of non-traditional courses, including street dance and graffiti art. Visit www.newrevolution.co.uk
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